On Wednesday 3rd of April 2019 I’ll be giving a talk at the Aesthetics Research Centre, University of Kent in Canterbury (UK).
Abstract: Marcel Broodthaer’s Museum of Modern Art, Department of Eagles (1968) confronted the public with an exhibition that criticized traditional museum practices by means of appropriating them. This work was explicitly intended to qualify as both an exhibition and a work of conceptual art. In this talk, I explore the hypothesis that the artwork status of some exhibitions might instead have remained, so far, unnoticed, even by their makers. To illustrate my view, I analyze the exhibition of pre-and proto-historic artifacts at Berlin’s Neues Museum and argue that such exhibition is a work of site-specific installation art.
Here’s the link to their full program: http://aesthetics-research.org
A Philosophy of Art Installation 